Two women, two great betrayals, one path to redemption. A punchy, powerful and page-turning novel about the redemptive power of great literature, from industry insider, John Purcell.
Amy Winston is a hard-drinking, bed-hopping, hot-shot young book editor on a downward spiral. Having made her name and fortune by turning an average thriller writer into a Lee Child, Amy is given the unenviable task of steering literary great Helen Owen back to publication.
When Amy knocks on the door of their beautiful townhouse in north west London, Helen and her husband, the novelist Malcolm Taylor, are conducting a silent war of attrition. The townhouse was paid for with the enormous seven figure advance Helen was given for the novel she wrote to end fifty years of making ends meets on critical acclaim alone. The novel Malcolm thinks unworthy of her. The novel Helen has yet to deliver. The novel Amy has come to collect.
Amy has never faced a challenge like this one. Helen and Malcolm are brilliant, complicated writers who unsettle Amy into asking questions of herself – questions about what she values, her principles, whether she has integrity, whether she is authentic. Before she knows it, answering these questions becomes a matter of life or death.
From ultimate book industry insider, John Purcell, comes a literary page-turner, a razor-sharp, fast-paced novel that cuts to the core of what it means to balance ambition and integrity. With lashings of sex, glamour, bad behaviour and wicked publishing insider references, The Girl on the Page is a muscular, juicy and provocative novel that is all about what really matters in life, and the redemptive power of great literature.
Whew. Doesn’t this look intense? John Purcell has worked in publishing and runs a bookshop in Sydney, so added bonus there. What I can’t figure is how a character piece about two women ends up being about life or death?! WHAT HAPPENS?!?